Wednesday, 19 October 2011

Sandwitch Malayalam

Sandwich is a newly relesed Malayalam Movie and its a super duper FLOP film.
I dare to give it a rating of -100/ 10.

Little known Facts
* It has Starring : Kunchakko Boban,Richa Panai ,Ananya,Suraj Venjaramoodu , Lalu Alex,Ganesh Kumar, Vijayakumar, Manoj K Jayan, Biju Pappan, Jaffer Idukki, Kochu Preman..
* It's Directed By M S Manu
* It's Written By Ratheesh Sukumaran
 
Plot:
Kunchako Boban plays Sai Ramachandran, an IT professional in the film, who gets into trouble, when he accidentally runs over a gang leader. Andipetti Nayar (Suraj Vengharenmood), another gang leader declares that he had made Sai commit the murder and try to marry his daughter with him.

Why it is Rotten:
* After the success of ‘Doctor Love’, Kunchacko Bobban has been unofficially declared the Midas of Kerala. In his latest flick he works with newcomer M.S Manu, the asst. to Shaji Kailas, and has brought a comedy film told in the background of action.
* The characters had no strength so the film went loose and boring, the writer and director tried to make comedy at the cost of character. Unbelievable twist, characters of Sai’s best friends, Murukan all changes towards the climax.
* The film had stumbled in the script stage itself.
* Kuchacko Boban acted fine as Sai, a software engineer who gets into problems by killing a goon in an accident.
* Suraj as Aandipetty did his part well.
* Richa Panai, the Bhima Jewellery ad girl, needs to learn acting. In many scenes she was not emoting. Lalu Alex is ok. * Ananya looked cute as always and acted effortlessly as Kanmani.
* Lal Jose’s technique of turning villains into comedian and comedians into character roles are very well appreciated by audience here. Recently we have seen Baburaj following the path in Salt and Pepper. Now it is Vijayakumar’s turn to give his career a new twist through Sandwich. Vijayakumar who we have seen mostly as the aid to Mohanlal in many films was seen with the body language of Mohanlal himself. Even his eye movement resembles the great actor.
* Ganesh Kumar acted as himself for the nth number of time, this time pretending in police uniform.
* Malayali’s have a special love and respect for Kunchacko and they love to see him for many more years, so a word of caution to favorite star, don’t act in all films that come your way, think the fate of Bala; also act more in multi star projects.
* The film, Sandwich is shot at Thiruvananthapuram and has a predictable climax. As Sathyan Anthikkad said, it took him assisting 10 films that he realized it’s not what we see that makes the movie. M.S Manu and his writing partner Ratheesh Sukumaran need to mature a little more to make a successful movie.

Taare Zameen Par

One another best film in Hindi is Taare Zameen Par.



Little Known Facts:

* It is a 2007 Bollywood drama film directed by Aamir Khan, written by Amole Gupte, and produced by Aamir Khan Productions.
* Gupte initially developed the idea with his wife Deepa Bhatia, who served as the film's editor.
* Visual effects were created by Tata Elxsi's Visual Computing Labs, and the title animation—the first use of claymation in a Bollywood film—was created by Dhimant Vyas.
* Shankar–Ehsaan–Loy composed the film's score, and Prasoon Joshi wrote the lyrics for many of the songs.
* The Film had it's Principal photography took place in Mumbai and in Panchgani's New Era High School, and some of the school's students make appearances.

Plot:
It's also considered to be a classical movie with the theme of parenting, schooling, child psychology and about dyslexia.

The film explores the life and imagination of eight-year-old Ishaan (Darsheel Safary). Although he excels in art, his poor academic performance leads his parents to send him to a boarding school. Ishaan's new art teacher (Aamir Khan) suspects that he is dyslexic, and helps him to overcome his disability. The film made its theatrical debut in India on 21 December 2007, and UTV Home Entertainment released a DVD for Indian audiences in 2008. Less than two years later Walt Disney Home Entertainment released an international edition DVD titled Like Stars on Earth, marking the first purchase of distribution rights for an Indian film by a global company.

Taare Zameen Par has received several awards, including the Filmfare Best Film Award for 2008 and the 2008 National Film Award for Best Film on Family Welfare. It was India's official entry for the 2009 Academy Awards Best Foreign Film, and the film's failure to progress to the nominations short list sparked a debate about why no Indian film has ever won an Oscar. Media outlets made comparisons between Taare Zameen Par and the British drama Slumdog Millionaire, which won several Oscars that same year.

Reviews:
Come to think of it, after two back-to-back hits [RANG DE BASANTI, FANAA], Aamir Khan could've given a positive nod to any masala flick and chosen to work with anyone he desired. But he preferred to make a film on a dyslexic kid, make him the focal point of the story and don three caps -- producer, actor and director.

At the very outset, let's make one thing clear. TAARE ZAMEEN PAR isn't one of those films that merely entertains, but also enlightens. TAARE ZAMEEN PAR is one film that makes you peep into a child's mind and how some parents, in their pursuit to make them 'stronger' academically, forget that there's hitherto untapped talent that needs to be nourished and encouraged.

TAARE ZAMEEN PAR drives home a strong message, making you empathize with the kid, compelling you to draw parallels with your life, making one realize that some of the renowned geniuses were once scoffed at, but the world had to bow down to their intellect later.

Sure, TAARE ZAMEEN PAR boasts of a story that strikes a chord, but most importantly, it has been treated with such sensitivity and maturity that you're left shell-shocked in amazement by the sheer impact it leaves at the end of this 18 reeler.

TAARE ZAMEEN PAR heralds the birth of a topnotch storyteller -- Aamir Khan. To choose a story that's a far cry from the mundane stuff that's being churned out like factory products, requires courage and conviction and to execute it with panache is a rarity.

Those who somewhere nursed a grudge that the camera follows Aamir in all his films, will chew their words once they watch TAARE ZAMEEN PAR. Yes, Aamir has a key role to portray as an actor, but the camera captures the child's emotions like never before in a Hindi film. Also, let's also clear the myth about TAARE ZAMEEN PAR being a kiddie film. It's not! It's about children. Note the difference!

In a nutshell, TAARE ZAMEEN PAR serves as a wake up call for every parent or parent-to-be. Also, it heralds the arrival of a magnificent storyteller -- Aamir Khan. At the end of the day, it's not difficult to choose who's better -- Aamir, the actor or Aamir, the director. TAARE ZAMEEN PAR is a triumph all the way from the director's point of view.

Ishaan Awasthi [Darsheel Safary] is an eight-year-old whose world is filled with wonders that no one else seems to appreciate; colors, fish, dogs and kites are just not important in the world of adults, who are much more interested in things like homework, marks and neatness. And Ishaan just cannot seem to get anything right in class.

When he gets into far more trouble than his parents can handle, he is packed off to a boarding school to 'be disciplined'. Things are no different at his new school and Ishaan has to contend with the added trauma of separation from his family.

One day a new art teacher bursts onto the scene, Ram Shankar Nikumbh [Aamir Khan], who infects the students with joy and optimism. He breaks all the rules of 'how things are done' by asking them to think, dream and imagine, and all the children respond with enthusiasm, all except Ishaan.

Nikumbh soon realizes that Ishaan is very unhappy and he sets out to discover why. With time, patience and care, he ultimately helps Ishaan find himself.

On face-value, TAARE ZAMEEN PAR looks like a kiddie film, but as the story unfolds, you realize that the story peeps into the mind and heart of a kid, his interests, his hobbies, his strengths and weaknesses. The director opens the cards at the very outset, when you realize that the kid is just not interested in books/studies. And his interaction with his stern father, doting mother and lovable brother is straight out of life.

A number of sequences in the first hour leave you spellbound --

    Ishaan's altercation with the neighboring kid over a cricket ball;

    Ishaan's parents' decision of putting him in a hostel and Ishaan's constant pleas falling on deaf ears;

    Ishaan going into a shell in the boarding school, looking disinterested in life. Also, the art teacher punishing him for his inattentive behavior.

There are several moments in the first hour that make you moist-eyed. The bonding between the mother and son is remarkable. These moments effectively capture the special bonding, making you realize that a mother's mere touch can act like a soothing balm on a troubled soul.

Aamir takes the courageous stand of placing the story on Ishaan's shoulders right through the first hour and not once do you feel that the kid doesn't have the power to keep your attention arrested.

The second hour is equally challenging and most importantly, motivating. The introduction of Aamir's character, Aamir spotting the indolent Ishaan, Aamir traveling to Mumbai to meet Ishaan's parents and then citing examples of extra-ordinary men who were ridiculed by their contemporaries/peers -- these moments linger in your memory even after the show has concluded.

But the best part is reserved for the finale -- the art competition in the penultimate twenty minutes. The emotions reach an all-time high as the kid regains his confidence. The finale would melt even the stone-hearted!

Directorially, Aamir Khan deserves distinction marks for extracting an exemplary performance from the kid and handling the plot with supreme sensitivity. In his debut film itself, Aamir proves that he's a gifted storyteller, someone who has the courage to swim against the tide and also convince the viewer that there's more to film-making than the mere masala entertainers. Bravo!

Setu's cinematography is mesmeric. The camera captures every minute detail, every emotion, every tear with precision. Shankar-Ehsaan-Loy's music is easy on the ears. 'Bum Bum Bole', 'Jame Raho' and the title track are first-rate compositions. Prasoon Joshi's lyrics in 'Maa' deserve special mention. Editing [Deepa Bhatia] does justice to the material. Only thing, the film, if trimmed [second hour], will only be more impactful. Animation and visual effects are fantastic.

TAARE ZAMEEN PAR belongs to Master Darsheel Safary. A performance that make the best of performances pale in comparison. A performance that deserves brownie points. A performance that'll always come first on your mind the moment someone mentions TAARE ZAMEEN PAR. A performance that's impeccable, flawless and astounding. A performance that moves you and makes you reflect on your growing years. A performance that merits a special award!

Aamir is excellent. Note his scenes with the father of the kid. First, when he visits their home. Next time, when he cites the example of Solomon Islands. Splendid! Tisca Chopra is outstanding. Here's an actress who needs to be lapped up in a big way by film-makers.

Tanay Cheda [as Ishaan's friend Rajan Damodaran] is excellent. Vipin Sharma [Ishaan's father] is slightly theatrical. Sachet Engineer [Ishaan's elder brother] is apt. The teachers have performed well.

On the whole, TAARE ZAMEEN PAR is an outstanding work of cinema. To miss it would be sacrilege. It has everything it takes to win awards and box-office rewards!
 
Watch TAARE ZAMEEN PAR with your child. 
It will change your world. It will also change the way you look at your kids!

Saturday, 15 October 2011

Malyalam Movie reviews

The Indian rupee
Indian Rupee is a new Malayalam movie by Ranjit. It is the story of all quic money making minded Indian youth. Starring Prithviraj and Rema Kallingal it has become a block buster now.
Little known Facts:
*'Indian Rupee' has been produced by Prithviraj , Shaji Nadeshan and Santosh Sivan under the banner of August Cinema.
*.This Film has the return of the greatest actor Thilakan, after a break
* Same as the Pranchiyettan and the saint, it is a natural, simple and realistic film.

The Plot:

Prithviraj plays Jayaprakash, a young man who dreams of making it big as a real-estate broker. Surendran (Lalu Alex) is an elderly friend of his. His younger sister Beena (Rima Kallingal) is in love with Jayaprakash. JP is in search for his real break in life. Only his lady love, Dr. Beena understand his struggle. JP runs through the underbelly of Calicut operating from their make shift film distribution office turned real estate shack. To their mundane existence enters Achutha Menon(Thilakan), a man with mystery in his past. JP’s deal with 'Achutha Menon' goes awry. Yet 'Jayaprakash' smiles him off even though he was nastily embarrassed because of the whole situation. 'Achutha Menon' and 'Jayaprakash' eventually become friends and after a while the story starts to get really interesting.



But disappointingly the character of 'Achutha Menon' fades off post interval, revealing emptiness in the story line.He gives them a grand plan which would change their lives forever. JP decides to throw the dice. Fate turns around spinning him into a wheel round of events which alter everything around him including relationships, love, friendship and even integrity. This plot makes the movie 'Indian Rupee' really interesting.

Friday, 14 October 2011

Body Guard (Hindi)

Now Let's discuss some of my favourite films.

I liked this film very much. Body Guard is actually a film made by Siddique. Siddique is a Malayalam Film director and comes with his first debut film , ie... Body Guard.
The Film has collected great amount of money all the time. It has broken all the collection and other records of Bollywood. now near to 3idiots an Amir Khan Film. It was a wonderful fim starring Salman Khan and Kareena kapoor. A wonderful film thrilled with chills and stunts, comedy and songs and a great story and a superb climax.
It is Still One of the blocknusters in Bollywood and gonna break all the records...
Little known Facts:

* The Film was Released in Malayalam, Tamil, Telugu, kannada and Hindi
* The film was produced by Atul Agnihotri.
* In supporting roles.It also stars Raj Babbar, Mahesh Manjrekar and Hazel Keech.
* Bodyguard was released on 31st August 2011 on the Eid day for muslims.
* It was accepted with big applause widely across 2,250 screens in 70 Indian cities and with 482 prints across the overseas.

Plot:

Lovely Singh (Salman Khan) takes his role as bodyguard of Sartaj's daughter Divya (Kareena Kapoor) and her friend Maya (Hazel Keech) very seriously and follows the two girls around constantly.


In an attempt to get rid of him, they make up a "fake lover" hoping to distract Lovely from his duties as a bodyguard. It works! Lovely falls in love with "PRIVATE NUMBER", and is constantly looking for this girl. He has no idea who his lover is. Divya, as a joke, calls Lovely and speaks badly about Divya. Lovely gets a little angry and disagrees with her. He believes Divya is a good-hearted person. That's when the viewer is able to tell Divya is really falling in love with Lovely. This is no joke anymore. Divya, later tells Lovely to run away with her and meet her at a railroad station. Lovely agrees, not knowing that the girl is Divya. Sartaj finds out and he believes that Lovely and Divya are planning to run away together. In order to save Lovely's life, Divya lies that it's not her. That Lovely is meeting another girl at the station. Sartaj lets Lovely  go, but tells others to kill Lovely if a girl does not show up. Terrified, Divya sends her friend, Maya to the station and tells her to tell Lovely that Divya is the lover and she won't be able to make it to the station. Maya seeing Lovely, falls in love, and admits that she is the lover, not Divya. Divya calls her twice, but she throws the cellphone out, trying to erase Divya out of their love life completely. Years later, after Lovely and MAya's marriage, she bore a son. Before her death, she leaves a diary for her son telling the whole story between the phone calls and his father and Divya. The son later goes to Divya's house with Lovely to visit Sartaj.  Lovely is shocked Divya isn't married. The son asks Divya to become his mother and Lovely is shocked and angry at his son for saying something so blunt and rude. But Sartaj begs Lovely to take Divya as his wife. So they go onto the train together but the son runs and throws the diary into a trashcan nearby. Lovely finds the diary and realizes that his real lover, the girl who's waited for him for so many years faithfully, was Divya And they live happily ever after.

Indian Cinemas today

        While Speaking about indian cinemas today we have to see the impact it makes all over the world. There are many languages in India and cinemas are released in almost all the languages.

In the 20th century, Indian cinema, along with the Hollywood and Chinese film industries, became a global enterprise. At the end of 2010 it was reported that in terms of annual film output, India ranks first, followed by Hollywood and China. Enhanced technology paved the way for upgrading from established cinematic norms of delivering product, altering the manner in which content reached the target audience, as per regional tastes.Indian cinema found markets in over 90 countries where films from India are screened.
The cinema of India consists of films produced across India, which includes the cinematic culture of Andhra Pradesh, Assam, Gujarat, Haryana, Jammu and Kashmir, Karnataka, Kerala, Maharashtra, Orissa, Punjab, Tamil Nadu, and West Bengal. Indian films came to be followed throughout South Asia and the Middle East. The cinema as a medium gained popularity in the country as many as 1,000 films in various languages of India were produced annually. Expatriates in countries such as the United Kingdom and the United States continue to give rise to international audiences for Indian films of various languages.

India is the world's largest producer of films.In 2009, India produced a total of 2961 films on celluloid, that include a staggering figure of 1288 feature films.The provision of 100% foreign direct investment has made the Indian film market attractive for foreign enterprises such as 20th Century Fox, Sony Pictures, Walt Disney Pictures and Warner Bros.Indian enterprises such as Zee, UTV, Suresh Productions, Adlabs and Sun Network's Sun Pictures also participated in producing and distributing films.Tax incentives to multiplexes have aided the multiplex boom in India.By 2003 as many as 30 film production companies had been listed in the National Stock Exchange of India, making the commercial presence of the medium felt.

Raja Harishchandra is the first Indian Cinema. It was released in 1913.